For this setup, we used the Nanlite FS-300C as the key light, paired with a parabolic softbox. Our edge light was the Forza 60C, which, like the FS-300C, gives you full RGB control. These lights are incredibly useful for color work because they allow you to dial in precise tones without the hassle of physical gels.
We shot on a Canon 85mm lens at f/1.2 for a nice shallow depth of field and set the camera’s white balance to 5500K (Kelvin). Shooting in Kelvin helps maintain consistent color across your images—especially important when playing with colored light.